霍勒大妈

Since the death of villager Weber, his widow lives from weaving. Docile daughter Marie helps her with spinning and all other chores, inseparable from pouch Strupi, while her sister Louise invokes delicate hands to do very little for her upkeep. Exhausted from spinning, Marie pricks herself, looses the spool in a water pit and trying to retrieve it, falls in, but emerges in the fairy land of Mrs. Holle. Having been kind and helpful to every creature and talking objects, she's welcomed and praised for cheerfully helping with seasonal chores, which regulate life on earth. Longing to her family, she asks and gets to be returned, with the spool and her dress turned into gold and gets a hero's welcome. Louise can't stand being utterly ignored, jealously pricks herself and jumps into the pit, but in Hole's land remains as rude and lazy, before being returned through the same magical gate, which rewards to merit: as dark and dirty as her selfish heart, with a wise advice as an only prize.

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⭐◀▶⭐⭐⭐以普世的「周處除三害」典故立為有趣前提；緊緊入扣「人」之「執念」伸展，洗心革面的【陳桂林】懷著向善之心以「反英雄」之姿為社會除惡，以暴製暴的經由殺戮來實現自我價值的圓滿，以滅掉「臺北三大法外之徒」的前兩大確立「不朽」之意義，到頭來「功成身退」的以坦然自首來達成精神的救贖；一害和二害的篇幅風格落差近乎割裂，【陳桂林】入教到破教的過程也忒順利了點兒？【王凈】的角色功能屬實純粹是為「男凝」而服務的「花瓶」，甚有側乳裸露鏡頭，角色塑造都不如臨末【張貴

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并非想正式写影评，只是短评字数限制写不下。就影片如此巨大的体量来说，做到这个程度还是平庸了。所有视觉方面的设计都没新意，异形、星战、纳粹美学，原始部落巫蛊传统服饰，几十年前《沙丘》的相关插画各种资料还有林奇拍的版本，都为这次拍摄提供了关键素材，几乎是复制。声效是很好的。故事叙事方面，保罗的主线掰开揉碎了讲得好烦。反派的故事线却简化到快看不懂的程度。正反派严重失衡。也是导演顾忌太多，怕各种群体抗议（例如LBGT，女权啥的）怕被限级，色情暴力同性变态的内容只能流于表面，用台词引

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这部作品如同一首生命的交响乐，以一位面临死亡的女性为主角，展现了人类在生命中的种种感悟。生命的无常和珍贵被深刻地揭示，同时也让观众感受到了生命的美好与温馨。

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戏里的嫦娥登上月宫，日日含泪思念凡间。戏外的嫦娥追逐月亮，自己耀眼得成了月亮的一部分，她一生追月，不时回头想念，却几乎从不停下脚步，也从不掩去眸中的热切。正如一上台就抓住所有观众目光的戚老师，整部影片最吸引我眼球的是何赛飞老师的表演。她是先活在他人的话语中的，是被亲生孩子记恨的母亲，是抛夫弃子的“不负责任”的女人，是被演员怀念的名角儿。然而甫一出场，那被蓝色旗袍包裹的身影就鲜活得动人。她难掩疲惫，又似乎精力十足，满目沧桑，但又眼含天真。生